Haushaltsgeräte

Kurzbeschreibung

Losing nearly everything leaves room for the one thing they can?t live without.

A few excruciating minutes pinned in a burning building cost Ryan Ward his job as a firefighter, the easy camaraderie of his coworkers, his girlfriend, and damn near cost him his left leg. Giving up, though, isn?t an option. Compared to the alternative, choosing a new profession, going back to school, and renting a room from the college groundskeeper are simple.

Until he realizes he?s falling in love with his housemate, and things take a turn for the complicated.

John Barrett knows about loss. After moving twice to stay in touch with his kids, he could only watch as his ex-wife whisked them away to California. Offering Ryan a room seems better than rattling around the empty house, but as casual friendship moves to something more, and a firestorm of emotions ignites, the big old house feels like tight quarters.

It?s nothing they can?t learn to navigate, though. But when dead bodies start turning up on campus?and one of the guys is a suspect?their first taste of real love could go up in smoke.

Warning: Contains two hot men wrestling with a shift in their sexuality, as well as a few positions probably listed in the Gay Kama Sutra. But it?s not all about the hot and sweaty?especially when your previously straight life knocks on the door and comes back to visit.

Produktbeschreibung

Adam's newest assignment for Sanctuary means working with the man who didn't trust him two years ago and destroyed their relationship. He still hates Lee but Jake Callahan, boss of Sanctuary, doesn't give him a choice, insisting they need to get along for the good of the cross-agency case.

Lee wants desperately to understand why Adam betrayed the Bureau. He is still angry and disappointed, but the memory won't leave him alone. The Bullen case is the perfect cover to get back in his ex-lover's life, and he is determined to find out the truth.

Against the backdrop of Sanctuary and the Bullen case can they learn to understand and believe that not everything they thought was true was real?

Produktbeschreibung

"Daddy" is not a title Rue Murray wanted, but he never thought he'd have sex with a woman either. Now he's the unwitting father of a newborn named Alice. Between bartending and cosmetology school, Rue doesn't have time for babies, but he can't give her up. What Rue needs is a babysitter, and he's running out of options. He's on the verge of quitting school to watch Alice himself when he remembers his reclusive new neighbor, Erik.

Erik Van Nuys is a sci-fi novelist with anxiety issues to spare. He doesn't like people in general, and he likes babies even less. Still, with his royalties dwindling, he could use the extra cash. Reluctantly, he takes on the role of manny-and even more reluctantly, he finds himself falling for Alice and her flamboyant father.

Rue and Erik are as different as two people can be, and Alice is the unlikeliest of babies, but Rue has never been happier than when Alice and Erik are by his side. At least, not until he receives an offer that puts all his dreams within reach and he's forced to choose: the future he's always wanted, or the family he thought he never did.

Produktbeschreibung

Kurzbeschreibung

Kurzbeschreibung

When seventeen-year-old Jude Walker confesses to his priest that he?s gay, and in fact has an unhealthy attraction to the priest himself, the last thing he expects is compassion. Father Gray surprises him with his understanding and Jude accepts his offer of help in overcoming his condition.

When Sebastian Gray extends an offer of help to a troubled teenager, the last thing he expects is that it is Jude that will save him. Yet Jude steadily breaks through the priest?s barriers, bringing him out of his self-imposed exile and into the world.

As the two find surprising parallels between their lives and obsession gives way to affection, both men begin to understand that their love may cost them their souls. Jude stands to lose his family to the truth of his affections, and Sebastian could fail in his original task; saving Jude, no matter what the cost.

Sarah Goodwin is currently undertaking a degree in Creative Writing from Bath Spa University, would love to one day have one of her books published on paper and hates talking about herself in the third person.

Kurzbeschreibung

When seventeen-year-old Jude Walker confesses to his priest that he?s gay, and in fact has an unhealthy attraction to the priest himself, the last thing he expects is compassion. Father Gray surprises him with his understanding and Jude accepts his offer of help in overcoming his condition.

When Sebastian Gray extends an offer of help to a troubled teenager, the last thing he expects is that it is Jude that will save him. Yet Jude steadily breaks through the priest?s barriers, bringing him out of his self-imposed exile and into the world.

As the two find surprising parallels between their lives and obsession gives way to affection, both men begin to understand that their love may cost them their souls. Jude stands to lose his family to the truth of his affections, and Sebastian could fail in his original task; saving Jude, no matter what the cost.

Sarah Goodwin is currently undertaking a degree in Creative Writing from Bath Spa University, would love to one day have one of her books published on paper and hates talking about herself in the third person.

From Amazon.co.uk

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Amazon.co.uk

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Amazon.com

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Produktbeschreibung

Kurzbeschreibung

Produktbeschreibung

Payne's abusive past raises a barrier in his relationship with Braxton, but they love each other enough to work around it. When they meet Flame, a solution to their problem might be at hand.

While the path to love is never smooth, three men prove harder to balance than two and Flame isn't sure if he's ready to be part of a trio. But Brax and Payne are determined to make Flame part of their family and the combined power of men in love won't be denied... even when death tries to knock on their door.

After two life-altering events, Payne realizes in order to keep the happiness he's found, he can't let the past rule control his future.